Monday, October 11, 2010

weight and measuer

1. What were Richard Serra's goals for the installation?

He hopes that in the installation he can bring relevance to the space of the Sackler Octagon.  He wants to expose it by placing two volumes in the Duveen Galleries, leaving the Ocatagon empty.  He wishes to contain the space in relevance to its volume and hold its volume in relation to its scale.

2. Define the field Serra is referring to when he states that his sculptural elements need to create "enough tension within the field to hold the experience of presence in the place". How do you define "experience of presence"?

The sculpture needs to add a presence to the place but only enough so it doesn't alter the presence of the place as a whole. It only creates adds to the place but does not change it's presence and experience overall.  The experience of presence to me is the effect that the object's presence has on someone or something, but according to Serra, he does not want the object to affect the original field itself.

3. How do the columns, pedestal condition, octagonal space and vertical axis challenge Serra?

The columns, vertical axis, and pedestal condition challenged Serra by creating limiting the the sculptures he was going to place. The vertical axis limited his used of columns due to their effect of making the space seem taller.   An octagon was too busy for the space itself and called to much attention being in the octagonal space.  The pedestal condition offset the vertical effect of the room making it appear larger in the vertical sense.

4. What is effective in terms of the shape, scale and number of the two square elements in the Duveen Galleries?

The square elements in the Duveen Galleries helps limit the expanses of the room in it's vertical sense.  The shape, scale, and number of it were using what was existing to grasp its architecture, and not redefine what was there into something new.

5. Describe the differences and similarities between Barnett Newman's and Richard Serra's work.

They both use very minimalist concepts in their works.  They use basic shapes, figures and colors.  However, Serra's work is more based of sculptures and uses a lot more gestural elements in his works.

Sunday, October 10, 2010

Flatland Questions

Stan Allen describes field conditions as “bottom-up phenomena: defined not by overarching geometrical schemas but by intricate local connections.” What are some field condition examples that can be found in the road systems of Lubbock?

The main field conditions found are those such as the grading found on the roads which have a very noticeable arc in order to prevent water build up in the middle of the road.  Another field condition is the grid structure of Lubbock, being based heavily based on axial construction.

In part 1, Allen distinguishes a geometric relationship of classical architecture from an algebraic combination of the Cordoba Mosque. How do these two architectural examples differ?

Geometric relationships are based off simple figures and and shapes while algebraic combinations are based off complex curves and shapes formed by complex equations.
What are some other examples of field conditions that can be observed around campus?

The different types of pavement, the fields of grass, and the structures themselves serve as a field condition.

How does a field condition stand to redefine the relation between figure and round?
It helps create a balance between positive and negative space.  It helps fill or create a void, helping change the effect of the existing figures around.
What is the reality Michael Benedikt writes about?

He talks about the reality as perception.  Dreams are a reality and can be felt but are not real.  Reality such as the news is real but cannot be felt due to it's indirect contact with the individual.
Benedikt describes degrees of reality in architecture as: Architecture of Dreams, Architecture of Games, Architecture of Illusions, Architecture of Enactments and Architecture of Jokes. What are some example buildings that fall under these categories?
The Architecture of Dreams: "Emilio's Folly" 

The Architecture of Games: "The Manhattan Transcripts"

The Architecture of Illusions: "Mural, Krayer Building" 

The Architecture of Jokes: "Commercial Building" - Austin, TX

The Architecture of Re-Enactment: "University of Houston School of Architecture"

The Architecture of Pre-Enactment: "Centre Pompidou" - Paris


Benedikt describes “direct esthetic experience of the real” as being moments without symbolism. Where in our environment does symbolism occur and where in our environment is symbolism absent? What is an example of this situation?

Symbolism can be found throughout most of the city, embodying the purpose and creator of the structure such as a church in an older part of town or the flamboyant city hall building.  Symbolism is absent in most of the mechanical systems and infrastructures of the city.  Having little or no symbolism, things like modern roads serve as only a modern function showing nothing more than a simple purpose.

Although Benedikt’s position pulls examples from the 70‘s and 80‘s to illustrate that an architecture of reality is polar to the post-modern architecture movement, this condition continues to exist today. Where in the city would be examples of an architecture of reality and post-modern architecture?
The architecture of reality would be like the civil utilities and roadways of a city being important to the function of the city but going through unnoticed due to it's lack of direct relationship to the city and its inhabitants.    The post-modern architecture would be found in the more along the lines of a museum or a shopping center or the city's landmark, showing the imagination and having a more direct connection to the city through its visual and physical effect on the city and it's inhabitants.

The four components that define the “realness” of an architecture for reality are: presence, significance, materiality, and emptiness (in two categories). How do these components relate to architecture? and What are some examples of architectural elements that make up these conditions?

The ability to perceive a presence is the ability to identify the existence of a building. In architecture the building not only appears to exist, but stands out among other structures giving it more of an importance over the others.  Significance can be described as the importance of the building in conjunction with other structures.  The structure is significant in regards not only to its presence but also the lack or uniformity of presence in other buildings. Materiality is the ability to physically identify the building. Being made of concrete and physical materials the building's materiality gives it it's presence and significance.  Emptiness is the excess of space in a building.  It helps enhance the dimensions of the building increasing its significance and its presence.

Chapter topics for Monday's essay

Chapter 8- Light that plays, Shadows that haunt, and shade that lulls
Chapter 13- water that pools and connects.

Memory Surface Diargrams